Paintings 2019 – 2020
The Script of The Sea Stone, 70 x 70 cm, oil and charcoal on canvas, SOLD To the Rocks an Echoing Chore, 70 x 70 cm, oil and charcoal on canvas, SOLD The Script of the Stones, the Tongue of the Wave, oil and charcoal on linen, 70 x 70 cm, SOLD
Erinna and The Waters, 50 x 50 cm, oil and charcoal on canvasEdging to The Far Stretched Sea, oil and charcoal on linen, 70 x 70 cm, SOLD Eternal Sunbeam, oil on linen, 50 x 50 cm .SOLD
Sea Rhythm 1, 30 x 30 cm, oil on linen
Sea Rhythm 2, 30 x 30 cm, oil on linen
Sea Rhythm 3, 30 x 30 cm, oil on linenSea Runs Deep, 38 x 46 cm, oil and cold wax on linen Sunk are the green dewed Stones, 30cm x 40 cm, oil on linen The Script of the Stones, 50cm x40cm,oil and charcoal on canvas
Mixon Sound , 50cm x 50 cm, oil on linen
The Swigg,Inner Green Grounds 50cm x 50 cm, oil and charcoal on linen
The Ceaseless Myth of Moving Waves, 70 x 70 cm, oil and on linen
The Immensity of Water 1, 100 cm x 80 cm, oil on canvas
Päivätär, Maiden of The Day, oil & cold wax on linen, 70 x 70 cm SOLDRaako, god of time and Handler of the moon, oil on linen 70cm x 70 cm
SOLD
Mixon Sands 2, 60 x 30 cm, oil on canvas,
Mixon Sands 2, 60 x 30 cm, oil on canvas
In ancient European Folklore Thin place was believed to be a threshold place, a portal between this world and the next. Anomalies in the landscape were indicative of possible portals into other worlds. Archaeological traces can still be found in places “once imagined or believed to possess some kind of magical or sacred presence” (Healy: 2015:1)
Healy,C (2015) Thin Place, Exhibition Catalogue, Oriel Myrddin Gallery, Carmarthen
© Kate Bell and katebellart.com 2021